BOOK NEWS: Defamiliarizing reading via "deformative" Latin American fiction

Deformative Fictions: Cruelty and Narrative Ethics in Twentieth-Century Latin American Literature
By Ashley Hope Pérez

Ohio State UP, 2024

ISBN: 978-0-8142-5906-1

https://ohiostatepress.org/books/titles/9780814215654.html

Tapping a rich vein of Latin American literature, Deformative Fictions by Ashley Hope Pérez excavates works that unsettle, defamiliarize, and disrupt access to the conventional pleasures of reading and interpretation. Close readings highlight the nuances of texts that have been misread, underread, or fetishized because they depart from literary norms, including fiction by Roberto Bolaño and Silvina Ocampo. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Interweaving rhetorical and narratological analysis with reflections on the ethical stakes of writing, reading, and interpreting deformative fictions and fictional cruelty, Pérez issues a resounding entreaty for us to expand our understandings of the value of narrative beyond the logics of utility and comfort. Doing so, she contends, allows readers to embrace the full possibilities of the relationships among authors, readers, and the worlds we inhabit on and off the page. In defamiliarizing the act of reading, deformative fictions reacquaint us with its ethical weight.

“Pérez brings a rich genealogy of Latin American literature into the narrative studies tradition, convincingly arguing why we should read works that refuse to offer us comfort. She offers critical food for thought for researchers and teachers alike, employing a beautiful writing style that illustrates complex ideas with ease.” —Doug P. Bush, author of Capturing Mariposas: Reading Cultural Schema in Gay Chicano Literature

Ashley Hope Pérez is an assistant professor in the Department of Comparative Studies at The Ohio State University. She is the author of the novels What Can’t Wait The Knife and the Butterfly, and Out of Darkness and the editor of the forthcoming anthology Banned Together: Authors and Allies on the Fight for Readers’ Rights.

BOOK NEWS: Roundup of December sales on academic books

 

The following publishers are offering discounts on their books for a limited time:

Bloomsbury Academic, 30% off selected titles through 12/8 

Hopkins Press, 40% off all books through 12/8 with code HCYB24 

Oxford University Press, 25% off sitewide through 12/8 with code WEBXSTU92 

PSU Press, Save 40% sitewide through 12/20 with promo code HOL24  

SUNY Press, 50% on most books through 12/22 with code HOLIDAY24 

Syracuse University Press, 40% off all titles through 12/31 with code 05Snow24 

UGA Press, 50% sitewide through 12/20 with code 08HLDY24 

University of Iowa Press, select titles deeply discounted 

University of Minnesota Press, 30% off literary studies through Feb. 1, 2025 with code MN92260 

Journal of Modern Literature is on Bluesky

 

Journal of Modern Literature left the social media platform X/Twitter at the end of November. Please follow us over on Bluesky instead, at https://bsky.app/profile/journalofmodlit.bsky.social

BOOK NEWS: Human monstrosity in Black horror fiction

 Anti-Blackness and Human Monstrosity in Black American Horror Fiction 

BY JERRY RAFIKI JENKINS

Ohio State UP, 2024

ISBN: 978-0-8142-5905-4

https://ohiostatepress.org/books/titles/9780814215364.html

In Anti-Blackness and Human Monstrosity in Black American Horror Fiction, Jerry RafikiJenkins examines four types of human monsters that frequently appear in Black American horror fiction—the monsters of White rage, respectability, not-ness, and serial killing—arguing that such monsters represent specific ideologies of American anti-Blackness. Jenkins examines a variety of these monstrous forms in Tananarive Due’s The Between, Victor LaValle’s The Changeling, Octavia Butler’s Kindred, Nnedi Okorafor’s Who Fears Death, and many other works. While these monsters and the texts that they populate ask us to think about the role that anti-Blackness plays in being or becoming American, they also offer intellectual resources that Black and non-Black people might use to combat the everyday versions of human monstrosity.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

“Anti-Blackness and Human Monstrosity in Black American Horror Fiction is a necessary work that emphasizes the sanity and rationality of monstrous figures. Jenkins persuasively contends that combining Afropessimism and affirmation of Black life in fiction can provide resistance to the deadliness of the racial reality of anti-Blackness.” —Keith Byerman, author of Remembering the Past in Contemporary African American Fiction

“Anti-Blackness and Human Monstrosity in Black American Horror Fiction is sharp and intellectually daring. Jenkins’s treatment of violence and prospects of Black counter-violence make it a timely resource for Black studies scholars and social and cultural critics of all kinds.” —Greg Thomas, author of Hip-Hop Revolution in the Flesh: Power, Knowledge, and Pleasure in Lil’ Kim’s Lyricism

Jerry Rafiki Jenkins is a professor in the Departments of English and Humanities, and Multicultural Studies at Palomar College and the author of The Paradox of Blackness in African American Vampire Fiction.

Welcome new JML co-editor Jessica Burstein

 

Jessica Burstein has been promoted from advisory editor to co-editor of the Journal of Modern Literature. Burstein has had a long career in editing, learning while serving as a lackey (the term “editorial assistant” had yet to be invented, and those chosen did not appear on the masthead) at Critical Inquiry; then serving as the first founding managing editor of Modernism/modernity, beginning in a room with a chair, a phone, and a rolodex, and putting together its early issues. 

As an associate professor in the Department of English and adjunct in the Department of Gender, Women and Sexuality Studies at the University of Washington in Seattle, Burstein currently serves on the editorial boards of Modern Language Quarterly, as well as the advisory editorial board of Modernism/modernity. Their own critical work focuses on fashion and modernism; but they nurse a residual fondness for the history of sciences, and contemporary fiction. Burstein’s novel What It Was Like Not To Sleep With You has yet to find a press; meanwhile you can find Cold Modernism: Literature, Fashion, Art in an art history library near you.

Forster's musical Lucy Churchill and proto-nuclear aesthetics: A Closer Look at JML 47.4

In a special feature for the Indiana University Press blog, author Ryan James McGuckin discusses female musicality in A Room with a View, and sees in the novel's inconclusive romance—as well as in Forster's 1958 essay "A View without a Room"—hints that the fear of nuclear annihilation forecloses hope about the future. Read it at https://iupress.org/connect/blog/e-m-forsters-nuclear-aesthetics-a-closer-look-at-jml-47-4/

McGuckin's JML 47.4 essay, “E. M. Forster’s Female Musicality: Inconclusive Counter-romance in A Room with a View,” is available to read for FREE.

JML 47.4 (Summer 2024) is now LIVE!

 

JML 47.4 (Summer 2024) with clusters on Virginia Woolf and literary misfits is now LIVE on Project MUSE at https://muse.jhu.edu/issue/53384

Content includes:

Woolf

Kate M. Nash

The Ecology of Virginia Woolf’s London Scene

 

Gabriel Quigley

Moments of Rupture: Woolf, Whitehead, Deleuze 

Timothy O’Leary

Years and Years: The Distribution of the Sensible in Woolf and Ernaux 

Misfits

Abhipsa Chakraborty

Vernacular Acoustics: Caste, Embodiment, and the Politics of Listening in Mulk Raj Anand’s Untouchable (1935)

Carly Overfelt 

“To Suggest the Sound”: Impressibility and the Language of Whiteness in Charles W. Chesnutt’s Long Fiction 

Lillianna G. Wright

“A Fascination, Strange and Compelling”: Marriage as the Prevention of Queerness in Nella Larsen’s Passing 

Ryan James McGuckin 

E. M. Forster’s Female Musicality: Inconclusive Counter-romance in A Room with a View 

FREE

Tim Clarke

The Consolations of Decadence in John Fante’s Ask the Dust 

Susan Poursanati and Maryam Neyestani

Sisyphean or Medusan: The Absurd Hero in Jean Rhys’s Good Morning, Midnight and Wide Sargasso Sea  

Reviews  

Anna Nygren

Rewriting the Narrative of Modernisms 

Andrew Hui

The Once and Always Baroque

Benjamin Schreier

How to Be a Critic

Afterword

Daniel T. O’Hara

Memorial Tributes

BOOK NEWS: Spirit forces in global contemporary novels

Worldly Spirits, Extra-Human Dimensions, and the Global Anglophone Novel 

BY HILARY THOMPSON

Bloomsbury Academic, 2023

ISBN: 9781350373815

https://www.bloomsbury.com/worldly-spirits-extrahuman-dimensions-and-the-global-anglophone-novel-9781350373815/

Engaging a diverse range of contemporary anglophone literature from authors of the Asian, Middle Eastern and Caribbean diasporas, this book explores how such works turn to spirit forces, spirit realms and spirit beings—were-animals, mystical birds, and snake goddesses—as positive forces that assert perceptual dimensions beyond those of the human, and present a vision of Earth as agentive and animate. With previous scholarship downplaying these aspects of modern works as uncanny hauntings or symptoms of capitalism's or anthropocentrism's destructiveness, or within a blanket rubric of "magical realism," Hilary Thompson rejects this partitioning of them as products of an exotic East or global South. By contrast, this book builds a new critical framework for analysis of worldly spirits, drawing on anthropological discussions of animism, the newly recovered 1930s boundary-crossing art movement Dimensionism, and multispecies theories of animals' diverse perceptual worlds.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Taking stock of novels published from 2018-2020 by such writers as Amitav Ghosh, André Alexis, Yangsze Choo, Azareen Van der Vliet Oloomi, Zeyn Joukhadar, and Tanya Tagaq, Thompson illuminates how these works extend an ecological call to decentre the human and align with multidimensional theories of art and literature to provide ways to read for rather than reduce the extra-human dimensions emerging in contemporary fiction.

A refreshing rejection of ecological apocalypticism, this book unsettles typical conceptualizations of both anglophone and Anthropocene literatures by invoking European art theory, philosophy, and non-Western ideas on animism and spirits to put forward perceptions of the extra-human as a form of dealing with the many uncertainties of today's different crises.

Hilary Thompson is associate professor of English at Bowdoin College. She is author of Novel Creatures: Animal Life and the New Millennium (2018) and has published multiple articles on Amitav Ghosh and on global anglophone literature, biopolitics, and the Anthropocene.

BOOK NEWS: The struggle to make novels matter 1965-99

 Novel Competition: American Fiction and the Cultural Economy, 1965-1999

BY EVAN BRIER

U of Iowa P, 2024

ISBN: 9781609389390

https://uipress.uiowa.edu/books/novel-competition

Novel Competition describes the literary and institutional struggle to make American novels matter between 1965 and 1999. As corporations took over the book business, Hollywood movies, popular music, and other forms of mass-produced culture competed with novels as never before for a form of prestige that had mostly been attached to novels in previous decades. In the context of this competition, developments like the emergence of Rolling Stone magazine, regional publishers, Black studies programs, and “New Hollywood” became key events in the life of the American novel. Novels by Truman Capote, Ann Beattie, Toni Cade Bambara, Cynthia Ozick, and Larry McMurtry—among many others—are recast as prescient reports on, and formal responses to, a world suddenly less hospitable to old claims about the novel’s value. This book brings to light the story of the novel’s perceived decline and the surprising ways American fiction transformed in its wake.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

“Novel Competition is a beautifully written institutional history of the literary novel in the United States from 1965 to 1999. Placing the novel in a larger cultural field—in competition with journalism, popular music, and films for cultural prestige—Brier illuminates not only novels, but their readers, critics, editors, publishers, and booksellers.”—Erin A. Smith, University of Texas at Dallas

“Novel Competition confronts a fascinating and important subject: an examination of how the novel came to matter differently over the last third of the twentieth century. This decline is something that scholars of the novel have bemoaned for some time, and Brier offers a useful approach to making sense of it without resorting to well-trod and over-simplified answers. It is an engaging and important book.”—Emily Johansen, author of Beyond Safety: Risk, Cosmopolitanism, and the Neoliberal Contemporary Life

“As a longtime Evan Brier fan, I’ve been eagerly waiting this book, his account of the American novel’s response to its declining fortunes. Brier dazzles with a virtuosic reading of Truman Capote’s In Cold Blood that takes us through the culture of The New Yorker, the Kansas literati, and the first stirrings of publishing’s conglomeration. He delivers an extraordinary investigation into Toni Morrison’s career as an editor—culminating in Toni Cade Bambara’s The Salt Eaters—and her publication of The Black Book. We follow Philip Roth to Eastern Europe and Cynthia Ozick’s and Saul Bellow’s characters into diaspora. Minimalism, rock and roll, New Hollywood, Rushdie’s fatwa, the American West—an astounding account of Larry McMurtry’s career—the memoir boom. Brier touches it all. Brier quietly transcends the limitations of dominant norms in the practices of literary history and the sociology of literature to give us an nth-dimensional view of American literature since 1965: how the novel became residual. He tells us what it means to believe—or disbelieve—in the power of fiction. It’s no less than thrilling.”—Dan Sinykin, author of Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature

Evan Brier is associate professor of English at the University of Minnesota Duluth. He is author of A Novel Marketplace: Mass Culture, the Book Trade, and Postwar American Fiction. He lives in Duluth, Minnesota.

BOOK NEWS: Literary vegetarians

Vegetarianism and Veganism in Literature from the Ancients to the Twenty-First Century

BY THEOPHILUS SAVVAS

Cambridge UP, 2024

ISBN: 9781009287265

https://www.cambridge.org/core/books/vegetarianism-and-veganism-in-literature-from-the-ancients-to-the-twentyfirst-century/E5332A2457468C0DFD58C561CF957055

Vegetarianism and Veganism in Literature from the Ancients to the Twenty-First Century re-assesses both canonical and less well-known literary texts to illuminate how vegetarianism and veganism can be understood as literary phenomena, as well as dietary and cultural practices. It offers a broad historical span ranging from ancient thinkers and writers, such as Pythagoras and Ovid, to contemporary novelists, including Ruth L. Ozeki and Jonathan Franzen. The expansive historical scope is complemented by a cross-cultural focus which emphasizes that the philosophy behind these diets has developed through a dialogic relationship between east and west. The book demonstrates, also, the way in which carnivorism has functioned as an ideology, one which has underpinned actions harmful to both human and non-human animals.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Content includes:

Chapter 1 - ‘everybody eating everyone else’

Chapter 2 - Pythagoreans; or, Vegetarians before ‘Vegetarianism’

Chapter 3 - Vegetarianism and the Utopian Novel

Chapter 4 - Vegetarianism as Religion

Chapter 5 - Vegetarianism in the Fiction of Women’s Liberation

Chapter 6 - Animal Abstinence in the Anthropocene

Chapter 7 - ‘Pity the meat!’: Ideology, Metaphor, Violence

"What we have here is a monograph in food studies that transforms the field as a whole. The scope of this project is expansive, the analysis is consistently delightful, and the argument is original, making an important contribution to literary histories of vegetarianism." —Gitanjali Shahani, San Francisco State University

Theophilus Savvas is a senior lecturer at the University of Bristol. He works on postmodernist American writing and the interconnections between history and fiction as well as literature and ecology.

BOOK NEWS: Psychic connection and porous selves in British fiction

Psychic Connection and the Twentieth-Century British Novel: From Telepathy to the Network Novel

BY MARK TAYLOR

Edinburgh UP, 2024

ISBN: 9781399524483

https://edinburghuniversitypress.com/book-psychic-connection-and-the-twentieth-century-british-novel.html

Criticism of the novel routinely starts with the assumption that characters must think, develop, and strive for self-fulfillment as individuals. This book challenges the paradigm that individualism is innate to the novel as a medium. It describes how major writers throughout the twentieth century—many convinced by the supposed findings of parapsychology—rejected the idea of the discrete character. Treating the self as porous, they offered novels structured around the development of communities and ideas rather than individuals. By focusing on D. H. Lawrence, Olaf Stapledon, Aldous Huxley, and Doris Lessing, Mark Taylor demonstrates the need to broaden our approach to character when addressing the novel of the twentieth century and beyond.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

• Contends that the twentieth century novel’s approach to character fundamentally shifted in response to contemporaneous theories of psychic connection
• Challenges the paradigm that individualism is innate to the novel as a medium
• Charts an unmapped trajectory in the novel’s development away from individualism
• Accessibly outlines how psychic speculation informs the conception of character in major twentieth century novels
• Offers valuable tools for analyzing literature without treating the individuated character as a necessary unit

"Taylor’s book offers a fascinating alternative history of the twentieth-century British novel. While the novel form is often seen as the definitive narrative of individualism, Psychic Connection tracks a different path through telepathy, panpsychism, and visions of collective selves, working through D. H. Lawrence, Olaf Stapledon, Aldous Huxley and Doris Lessing, and ending with a generative reading of the contemporary ‘network novels’ of David Mitchell. A cogent and consistently compelling counter-narrative." —Roger Luckhurst, Birkbeck College

Mark Taylor is a specialist in twentieth-century British literature, most recently working as assistant professor in English Literature at HSE University, Moscow. His research focuses on notions of individual and collective selfhood in British literature of the previous century. His work has been published in Modern Fiction Studies, Mosaic and Science Fiction Studies.

BOOK NEWS: Bolaño's and Pynchon's hyperbolic style

Hyperbolic Realism: A Wild Reading of Pynchon's and Bolaño's Late Maximalist Fiction

BY SAMIR SELLAMI

Bloomsbury, 2024

ISBN: 9781501360497

https://www.bloomsbury.com/us/hyperbolic-realism-9781501360497/

What comes after postmodernism in literature?

Hyperbolic Realism engages the contradiction that while it remains impossible to present a full picture of the world, assessing reality from a planetary perspective is now more than ever an ethical obligation for contemporary literature. The book thus examines the hyperbolic forms and features of Thomas Pynchon's Against the Day and Roberto Bolaño's 2666 – their discursive and material abundance, excessive fictionality, close intertwining of fantastic and historical genres, narrative doubt and spiraling uncertainty – which are deployed not as an escape from, but a plunge into reality. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Faced with a reality in a permanent state of exception, Pynchon and Bolaño react to the excesses and distortions of the modern age with a new poetic and aesthetic paradigm that rejects both the naive illusion of a return to the real and the self-enclosed artificiality of classical postmodern writing: hyperbolic realism.

"Samir Sellami writes with brilliant clarity and makes difficult arguments easy to follow. Philosophers and critical theorists should study his techniques." —Kathryn Hume, Pennsylvania State University

Samir Sellami is a literary critic and, together with Tobias Haberkorn, founding editor of the Berlin Review. He holds a PhD in comparative literature and media studies from the University of Perpignan and the Federal Fluminense University in Nitéroi, Brazil. His research interests include post-avantgarde writing in the Americas, critiques of strong narrativity, aesthetic autodidacticism, and the intersectionality of genre, affect, and form.

BOOK NEWS: Examining unseen structures and uncertain spaces in crime writing

The Crossroads of Crime Writing: Unseen Structures and Uncertain Spaces

EDITED BY MEGHAN P. NOLAN AND REBECCA MARTIN 

Anthem Press, 2024

ISBN: 9781839991172

https://anthempress.com/the-crossroads-of-crime-writing-hb

Over a century ago, in his examination The Sensational in Modern English Fiction (1919), Walter Clarke Phillips declared, “Whatever sources of appeal may come or go, there is one which from the very structure of modern democratic society seldom bids for applause unheeded—that is, the appeal to fear” (p. 2). It is to this appeal that we owe the abundance of crime writing at our disposal—a trove of mystery that undoubtedly fascinates in its ability to entertain while safely reflecting the ugliest truths about ourselves and the societies in which we live. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

This volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to and reflect collective fears and anxieties. Drawing upon the insights and expertise of an international array of scholars, the chapters explore the interplay of the literary, historical, social, and cultural in various modes of crime writing from the 1890s to as recent as 2017. They examine unseen structures and uncertain spaces, and simultaneously provide new insights into the works of iconic authors, such as Agatha Christie, and iconic fictional figures, like Sherlock Holmes, as well as underexplored subjects, including Ukrainian detective fiction of the Soviet period and crime writing by a Bengali police detective at the turn of the twentieth century. The breadth of coverage—of both time and place—is an indicator of a text in which seasoned readers, advanced students, and academics will find new perspectives on crime writing employing theories of cultural memory and deep mapping.  

This volume features authors and subjects that are global in scope with original, innovative work on crime writing. The breadth of coverage—of both time and place—is an indicator of a text in which seasoned readers, advanced students, and academics will find specialized explorations of individual works and authors, while the critical and theoretical approaches and the topical coherence of the collection offer to a wide audience a scholarly overview of crime writing, as a still-growing area of popular interest and a still-evolving field of intellectual exploration.

This distinctive collection investigates boundaries in crime fiction, paying attention to hidden narratives, structures, and spaces. Comprising wide-ranging essays examining topics such as ecology, politics, Black and Indian detective fiction, and true crime, Nolan and Martin’s edited volume makes a powerful contribution to the ever-diversifying field of crime fiction criticism.  — Charlotte Beyer, University of Gloucestershire

Nolan and Martin have interestingly brought together analyses of texts likely unfamiliar to English readers and re-evaluations of ones that are overly familiar, making seen how the less visible geo-spatial and genre-spatial organizations have profound bearing on the social contributions of crime fiction. — Malcah Effron, Massachusetts Institute of Technology

Meghan P. Nolan, MFA, MA, PhD, is an associate professor of English and Chair of the Honors program at SUNY Rockland Community College. She is a multigenre writer, who focuses on (Neo-)Victorian and Modern literature/crime writing and fragmented perceptions of self-hood through many published academic works, fiction, non-fiction, and poetry.

Rebecca Martin, PhD, is professor emerita of English at Pace University in New York. In addition to her PhD, which focused on the eighteenth-century Gothic novel in England, she holds a graduate certificate in film studies from CUNY Graduate Center, and her interest in crime writing focuses on the hardboiled tradition.

SPECIAL FEATURE: A Closer Look at JML 47.3, Joyce's theory theater in "Circe"

Katherine Franco looks at the "Circe" episode in Joyce's Ulysses as closet drama and a theatrical take on literary theory: 

https://iupress.org/connect/blog/theorys-theatrics-in-circe-a-closer-look-at-jml-47-3/

Her JML 47.3 essay is available FREE, linked in the post

JML 47.3 (Spring 2024) is now LIVE!

 Journal of Modern Literature 47.3 (Spring 2024), with a special guest-edited cluster “Affective Forms of the Modernist Novel,” and a cluster on “Ireland’s Modernists,” is now LIVE on Project Muse at https://muse.jhu.edu/issue/52819.

Content includes:

Affective Forms of the Modernist Novel

Doug Battersby

Introduction: Affective Forms of the Modernist Novel

Kirsty Martin

D.H. Lawrence and Shyness

Doug Battersby

Elizabeth Bowen’s Equivocal Modernism

Andrew Bennett and Nicholas Royle

Elizabeth Bowen’s Queer Heart

Rick de Villiers

True Feints: Samuel Beckett and the Sincerity of Loneliness 

Ulrika Maude

“Other kinds of emotions”: Ishiguro’s Late-Modernist Affect 

Derek Attridge

Joycean Form, Emotion, and Contemporary Modernism: Ellmann’s Ducks, Newburyport and McCarthy’s The Making of Incarnation

Ireland’s Modernists

Katherine Franco

Staging the Surface: James Joyce’s Theater for Theorization in “Circe” 

FREE

Karl O’Hanlon

Ferdinand Levy: A Harlem Renaissance Dubliner and De-Colonial Cosmopolitanism

Danielle N. Gilman

Elizabeth Bowen’s Critical “Scrap Screen” 

Jivitesh Vashisht

“He will now think he hears her”: Indirect Perception and the Return to Proust in Samuel Beckett’s Ghost Trio

Mantra Mukim

Timbral Poetics: Samuel Beckett and the Impossible Voice

BOOK NEWS: Examining the literary telephone

Literature and the Telephone: Conversations on Poetics, Politics and Place

BY SARAH JACKSON 

Bloomsbury Academic, 2023

ISBN: 9781350259607

https://www.bloomsbury.com/us/literature-and-the-telephone-9781350259607/

Literature and the Telephone explores the ways that the telephone taps into the operations of reading and writing, opening up our understanding of how, where and why literary communication takes place.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Addressing the telephone's complex, multiple and mutating functions, and drawing on recent work by writers and thinkers including Sara Ahmed, Stacy Alaimo, Judith Butler, Nicholas Royle, and Eyal Weizman, this open access book considers the linguistic, technical and conceptual disruptions of the literary telephone as well as the poetic and political possibilities of the exchange.

Focusing on the telephonic effects of post-war writing by authors such as Mourid Barghouti, Caroline Bergvall, Tom Raworth, Muriel Spark, Ali Smith, and Rita Wong, Sarah Jackson proposes that the uncanny logic of the telephone, and its capacity for ordering and disordering the text, speaks to some of the most urgent concerns of our era.

Examining topics ranging from surveillance and migration to warfare and electronic waste, Jackson argues that the literary telephone offers new ways of conceiving ethical and creative technological futures, as well as different modes of reading, writing and listening across cultures.

"Not just a book about telephony and literature, but a book about how the telephone has active contributed to the deconstruction of literature and culture, while steadily working to deconstruction our own lives. Jackson acts as a deft operator of a complex interational switchboard, taking us through the developments of this process of deconstruction, by way of an exciting range of texts by twentieth-century and twenty-first-century novelists, poets, and theorists." --Nicoletta Asciuto, University of York

"Jackson's elegant study reconceptualizes the relationship between reading, writing, listening, and calling, with an awareness of the wider ethical, political, and spatial possibilities of the exchange, In the true spiring of pioneering work like Nicholas Royle's Telepathy and Literature and Avital Ronell's Telephone Book, it is a must-read for anyone fascinated by the uncanny ramifications between the literary and the tele-technological." --Laurent Milesi, Shanghai Jiao Tong University

Sarah Jackson is associate professor in modern and contemporary writing at Nottingham Trent University, UK. She is a BBC New Generation Thinker (2016), AHRC Leadership Fellow (2018-­2020) and NTU VC Outstanding Researcher (2017). Her publications include Tactile Poetics (2015), Pelt (2012), and a special issue of parallax on the ‘unidentifiable literary object’ (2019).

BOOK NEWS: An account of the breadth and depth of queer American literature

The Cambridge History of Queer American Literature

EDITED BY BENJAMIN KAHAN

Cambridge UP, 2024

ISBN: 9781108918725

https://www.cambridge.org/core/books/the-cambridge-history-of-queer-american-literature/6DBC1DA60D5B4AC05431401C40AA680D

Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Part I - Synchronic Histories of American Sexuality

"The Transmasculinity Narrative in the Anglophone Atlantic Eighteenth Century" By Sal Nicolazzo

"Queering the Founding; Or, the Revolution in Sex" By Don James McLaughlin

"Whither the Queer History of Slavery?" By Patrice D. Douglass

"Queering Immigration and the Social Body, 1875–1924" By Madoka Kishi

"The Queerness of World War II" By Guy Davidson

"Queer Bonds of Cold War Sexuality" By GerShun Avilez

"'The Dead Never Die': Pre-Exposure Prophylaxis, Queer Temporalities, and the Literature of AIDS" By Tim Dean

"Fiction in the Post–Lawrence v. Texas Era, or Inventing Heteronormative Queerness" By Kate McCullough

"Trans-ing Transcendentalism" By Dorri Beam

"Sentimental Literature and the Erotics of Identification" By Kathryn R. Kent

"Queer Modernism and Misfit Identity" By Octavio R. González

"Imperialism and the Queer Harlem Renaissance" By Fiona I. B. Ngô

"The Mystical Sexuality of the Beats and the Berkeley Renaissance" By Julia Bloch and Ignacio Infante

"The New York School’s Queer Happiness" By Brian Glavey

"Chicana and Latina Lesbian Feminists and the Radical Making of Anthological Archives of Willfulness" By T. Jackie Cuevas

"Queer Literature after Queer Theory" By Michael D. Snediker

Part II - Diachronic Histories of American Sexuality

"Queer Historical Poetics and Queer Formalism: American Poetry before 1850" By James Mulholland

"Queer Mythology in American Poetry, 1855–1913" By Vivian R. Pollak

"Funny Emotions: Queer Lyric from the New Verse to the New American Poets" By Chad Bennett

"Queer American Poetry Now" By Stephanie Burt

"Queer American Drama: Plays, Replays, Yet-To-Be-Plays" By Penny Farfan

"The Gay Genre: Musical Theatre from Show Boat to A Strange Loop" By James F. Wilson

"The Oneiric Golden Age of Gay and Lesbian Pulp" By Stephanie Foote

"Queering Desire in American Science Fiction" By Anna Kurowicka

"Queering Comics Histories" By André Carrington

"LGBT Bestsellers" By Diarmuid Hester and Jack Parlett

"History Touches Us Everywhere: American Queer and Trans Memoir in the Long Twentieth Century" By Emma Heaney

"Whiteness and Trans Genre, Whiteness as Trans Genre" By Jules Gill-Peterson

"Queer Types for Early Asian American Literature" By Andrew Way Leong

"The Queerness of Blackness" By Amber Jamilla Musser

"Two-Spirit Writers and Queer Native American Literature" By Alicia Carroll

"Queer Southern Literature and the Dirty South" By Michael P. Bibler and Sharon P. Holland

"Queer DiaspoRican Circuits" By Lawrence La Fountain-Stokes

"'where sadness makes sense': The Queer Poetics of the Midwest Terrain" By Richard T. Rodríguez

"Queer New England Regionalism" By J. Samaine Lockwood

"Queer Beginnings at the End of the Frontier: Asia and the Pacific in the Making of a Modern Gay American Identity" By Amy Sueyoshi

"Queer American Literature in the World" By Marta Figlerowicz

Part III - Queer Methods

"Repression, Sublimation, and Latency from Charles Brockden Brown to James Purdy" By Melissa Hardie

"Gender Variance before Trans: A Literary History" By Xine Yao

"Female Friendship: Romantic Friends and Boston Marriages" By Lillian Faderman

"The Medical Model and Early Gay and Lesbian Writing" By Simon Stern

"'Flung out of space': Class and Sexuality in American Literary History" By Aaron S. Lecklider

"Quantifying Sex" By Joan Lubin

"The Pleasures of Reading Camp" By Teagan Bradway

"The Queerness of Religion" By Tracy Fessenden

"Tracing Queer Crip Poetics in Time" By Ellen Samuels

"Queer Print Culture: The Market and Circulation of Queer Literature" By Jaime Harker

Benjamin Kahan is the Herbert Huey McElveen Professor of English and Women’s, Gender, and Sexuality Studies at Louisiana State University. He has held fellowships from the John Simon Guggenheim Memorial Foundation, the National Humanities Center, and a number of other institutions. He is the author of Celibacies: American Modernism and Sexual Life (Duke, 2013) and The Book of Minor Perverts: Sexology, Etiology, and the Emergences of Sexuality (Chicago, 2019). His new monograph Sexual Aim and Its Misses is under contract with Chicago. 

BOOK NEWS: Reassessing the meanings, uses, and limitations of lesbian modernism

Interrogating Lesbian Modernism: Histories, Forms, Genres

EDITED BY ELIZABETH ENGLISH, JANA FUNKE, AND SARAH PARKER

Edinburgh UP, 2023

ISBN: 9781474486057

https://edinburghuniversitypress.com/book-interrogating-lesbian-modernism.html

Makiko Minow coined the phrase ‘lesbian modernism’ in 1989. Since then, scholars of lesbian modernism have produced crucial work to critique and expand the modernist canon. At the same time, there has been ongoing critical debate about what constitutes a lesbian modernist text, who counts as a lesbian modernist author, and how lesbian modernism relates to queer and trans modernism. This edited volume presents twelve newly commissioned chapters that reassess and interrogate the meanings, uses and limitations of lesbian modernism by exploring a broad range of authors, genres and histories. Individual chapters investigate what work the concept of ‘lesbian modernism’ has done in the past, how its boundaries have been defined and contested, and what voices have been included and excluded. As a whole, the book demonstrates how the concept of lesbian modernism can be mobilized in new and meaningful ways to continue to inform and enrich modernist studies.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Contents

Introduction, Elizabeth English, Jana Funke, and Sarah Parker

Part 1: Interrogating Lesbian/Queer/Trans Modernism

Chapter 1: Loving/Hating/Loving Lesbian Modernism, Jodie Medd

Chapter 2: Lesbian-Trans-Feminist Modernism: Christopher St. John, Trans Masculinity and Celibate Friendship in Hungerheart: The Story of a Soul, Jana Funke

Chapter 3: The Ontology of the Pluri-Singular Body in Natalie Clifford Barney’s The One Who is Legion or A.D.’s After-Life, Katharina Boeckenhoff

Part 2: Genres and Forms

Chapter 4: Imaginative Biography: Margaret Goldsmith, Vita Sackville-West and Lesbian Historical Life Writing, Elizabeth English

Chapter 5: Modernism at the Margins: Mariette Lydis’s Print Portfolio Lesbiennes, Abbey Rees-Hales

Chapter 6: Inverting the Gaze: Radclyffe Hall and Male Sexual Identities, Steven Macnamara

Part 3: Relationality, Networks and Kinship

Chapter 7: Writing Widows of Lesbian Modernism, Hannah Roche

Chapter 8: Lesbianism in/and the Family: Eva Gore-Booth and the Making of Feminist Modernism, Kathryn Holland

Chapter 9: Lesbian Joyce, Katherine Mullin

Part 4: Histories and Temporalities

Chapter 10: Elizabethan Lovemaking: College Romance and Queer Anachronism in Edna St. Vincent Millay’s The Lamp and the Bell, Sarah Parker

Chapter 11: The Lesbian Herstory Archives at Fifty, Robin Hackett

Chapter 12: Hidden in Plain Sight: The Reconstruction of Lesbian Modernist Sexual Histories, Jo Winning

"This impressive essay collection showcases the range and—perhaps more crucially—the continuing relevance of lesbian studies to scholars of literary modernism. Interrogating Lesbian Modernism invites readers to reflect on the past, present, and future of the figure of the ‘lesbian’ and will undoubtedly influence how we engage with modernity itself."　—Laura Doan, author of Disturbing Practices: History, Sexuality, and Women’s Experience of Modern War

Elizabeth English is a senior lecturer in English at Cardiff Metropolitan University

Jana Funke is associate professor of English and sexuality studies at the University of Exeter.

Sarah Parker is a senior lecturer in English at Loughborough University.

Call for Papers: Caribbean Literatures and the Environment

 

Journal of Modern Literature Call for Papers

Caribbean Literatures and the Environment

Topics addressed may include oceanic literature; literary depictions of climate change, rising seas, and pollution; and narratives of monoculture, extraction, and extinction.

JML publishes essays on twentieth- and twenty-first-century global literature. Submissions should conform to MLA 8th edition style for documentation and manuscript formatting and should include a 100-150-word abstract and 3-5 keywords. 9,000-word limit, inclusive of abstract, notes, and works cited. No simultaneous submissions or previously published material.

Deadline December 1, 2024. Please submit manuscripts electronically as Word or RTF attachment to jml.editorial@gmail.com

BOOK NEWS: Study of LGBTQ themes and characters in Appalachian literary works

Doubly Erased: LGBTQ Literature in Appalachia

By Allison E. Carey

SUNY Press, 2024

ISBN: 9781438493565

https://sunypress.edu/Books/D/Doubly-Erased

The first book of its kind, Doubly Erased is a comprehensive study of the rich tradition of LGBTQ themes and characters in Appalachian novels, memoirs, poetry, drama, and film. Appalachia has long been seen as homogenous and tradition-bound. Allison E. Carey helps to remedy this misunderstanding, arguing that it has led to LGBTQ Appalachian authors being doubly erased—routinely overlooked both within United States literature because they are Appalachian and within the Appalachian literary tradition because they are queer. 

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

In exploring motifs of visibility, silence, storytelling, home, food, and more, Carey brings the full significance and range of LGBTQ Appalachian literature into relief. Dorothy Allison's Bastard Out of Carolina and Alison Bechdel's Fun Home are considered alongside works by Maggie Anderson, doris davenport, Jeff Mann, Lisa Alther, Julia Watts, Fenton Johnson, and Silas House, as well as filmmaker Beth Stephens. While primarily focused on 1976 to 2020, Doubly Erased also looks back to the region's literary "elders," thoughtfully mapping the place of sexuality in the lives and works of George Scarbrough, Byron Herbert Reece, and James Still.

"[Carey] offers a scholarly but accessible analysis of a relatively unexplored subject, and one might very well expect this book to encourage the development of an emergent specialization within literary and queer studies." — CHOICE

"Doubly Erased contributes significantly to Appalachian literary scholarship by providing close, well-framed analyses of LGBTQ authors' works. Carey clearly articulates the complexity of the region and its inhabitants, eschewing essentialization of the people and reductive caricatures. I foresee this book having a profound positive impact not only for the Appalachian LGBTQ community but also for the Appalachian community writ large, however one defines that." — Theresa L. Burriss, coeditor of Appalachia in the Classroom: Teaching the Region

Allison E. Carey is professor of English and chair of the English Department at Marshall University.

BOOK NEWS: How mid-century authors sought to prevent policies of expulsion

Writing Against Expulsion in the Post-War World: Making Space for the Human

BY DAVID HERD

Oxford UP, 2023

ISBN: 9780192872258

https://global.oup.com/academic/product/writing-against-expulsion-in-the-post-war-world-9780192872258

Writing Against Expulsion in the Post-War World: Making Space for the Human tells a pre-history of the Hostile Environment. The book's starting point is the rapidly escalating use of detention as a response to human movement and the global production of geopolitical non-personhood in which detention results. As a matter of urgency, the book argues, we need to understand what is at stake in such policies and to resist the world we are making when we detain and expel. Writing Against Expulsion returns to a post-war period when the brutal consequences of the politics of expulsion were visible and when it was clear to writers of all kinds that space for the human had to be made.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Drawing on contemporary histories of forced displacement, eye witness accounts, international legal documents, and on a range of emblematic cross-disciplinary texts and authors — the Universal Declaration of Human Rights, the political philosophy of Hannah Arendt, the poetry of Charles Olson, the revolutionary theory of Frantz Fanon — the book shows how mid-century writers both documented the lived experience of expulsion and asserted ways of thinking and acting by which expulsion could be prevented. What emerged were new languages of rights and recognition — new accounts of Moving, Making and Speaking — through which the exclusions of nation and border could be countered.

"Writing Against Expulsion is one of those books that arrives in the world and immediately feels necessary. David Herd asks and brilliantly answers two questions about the condition of unwelcome migrants and the UK government: 'how did we get here' and 'how do we move away from where we are?' Drawing on and building from the works of writers such as Hannah Arendt, Frantz Fanon, the poet Charles Olson, as well as his own work with Refugee Tales, Herd re-casts conversations around 'political non-persons' to allow space for imagination, humanity and truth. A profound and inspiring book." -- Kamila Shamsie, author of Home Fire

"Writing Against Expulsion in the Post-War World is a lucid and compelling report on the individual at the mercy of the bureaucracy of immigration control, `the geo-political non-person`, and how the condition of this figure relates to the aftermath of the 1939-45 War and the subsequent moment of decolonisation. It takes us through the political, philosophical and literary contexts with fluency, passion and rigour. Its engagement with the texts through which the argument progresses is extensive and thoroughly persuasive, and allows the reader to witness the personal journey Herd himself travelled in understanding the issues that are the subject of this wonderful and important book." -- Abdulrazak Gurnah, Winner of the Nobel Prize in Literature 2021

David Herd is the author of numerous books of poetry and prose, including All Just, described by the Los Angeles Review of Books as "one of the few truly necessary works of poetry written on either side of the Atlantic in the past decade," and Walk Song, a Book of the Year in the Australian Book Review. He has given readings and lectures in Europe, North America, India, and Australia and held visiting fellowships at George Mason University, Simon Fraser University, and the Gloucester Writers Center. He is professor of poetry at the University of Kent and co-organizer of the project Refugee Tales.

BOOK NEWS: Looking at cities through the stories people tell about them

City Scripts: Narrative of Postindustrial Urban Futures 

EDITED BY BARBARA BUCHENAU, JENS MARTIN GURR, AND MARIA SULIMMA

Ohio State UP, 2023

ISBN: 978-0-8142-1552-4

https://ohiostatepress.org/books/titles/9780814215524.html

Storytelling shapes how we view our cities, legitimizing histories, future plans, and understandings of the urban. City Scripts responds to calls by literary theorists to engage a new kind of narrative analysis that recalibrates close reading and interpretation to the multiple ways in which narratives “do things”—how they intervene in the world and take action in everyday life. A multidisciplinary cast of contributors approaches this new way of looking at cities through the stories people tell about them, looking especially at political activism and urban planning, which depend on the invention of plausible stories of connectedness and of a redemptive future.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

The stakes are especially high in cities where economic, ecological, and social futures are delimited by histories of large-scale extraction and racialized industrial labor. Contributors thus focus on cities in postindustrial areas of Germany and the United States, examining how narratives about cities become scripts and how these scripts produce real-life results. This approach highlights how uses of narrative and scripting appeal to stakeholders in urban change. These actors continually deploy narrative, media, and performance, with consequences for urban futures worldwide.

“There are tremendous political and economic challenges to creating more just and resilient cities, but City Scripts is a reminder that the stories we tell about cities can be just as important as a new policy or funding scheme. The essays in this volume, along with a great conceptual introduction, are a vital entry point to understanding the importance of literary and cultural analysis in the broader field of urban studies.” —Robert R. Gioielli, author of Environmental Activism and the Urban Crisis: Baltimore, St. Louis, Chicago

“When reading this book, urban planners in the US and Germany will understand why transdisciplinary city narratives often provide better information on what citizens need than do master plans and voluminous technical reports on sustainable development. While declining industrial cities in the US and in Germany have long been branded as losers of economic transformation and capitalism, the case studies at the heart of this book tell other stories—of successful interventions and revitalization.” —Klaus R. Kunzmann, Bartlett School of Planning, University College London

“City Scripts reenergizes discussions at the intersection of urban studies and literary and cultural studies. Innovatively reading material spaces using narratological tools developed through the analysis of fictional texts, it will be a rich and productive resource for scholars across disciplines.” —Erin James, author of Narrative in the Anthropocene

Barbara Buchenau is professor of North American cultural studies at the University of Duisburg-Essen.

Jens Martin Gurr is professor of British and Anglophone literature and culture at the University of Duisburg-Essen.

Maria Sulimma is junior professor of North American literature and cultural studies at the University of Freiburg.