Welcome to the Journal of Modern Literature news and information site.


Check here for updates about our latest issues, calls for papers, submission guidelines and tips, as well special online-only content. Our issues themselves are available at Project Muse and are archived on JSTOR . Check out the "Read for Free" page to enjoy some featured content.



More than four decades after its founding, the Journal of Modern Literature remains a leading scholarly journal in the field of modern and contemporary literature and is widely recognized as such. It emphasizes scholarly studies of literature in all languages, as well as related arts and cultural artifacts, from 1900 to the present. International in its scope, its contributors include scholars from Africa, Asia, Europe, North America, Oceana, and South America.

Monday, February 22, 2021

Book News: Environmental writing in the 1930s and 40s

The Green Depression: American Ecoliterature in the 1930s and 1940s

BY MATTHEW M. LAMBERT



UP of Mississippi, 2020

Hardcover : 9781496830401

Paperback : 9781496830418

https://www.upress.state.ms.us/Books/T/The-Green-Depression


Dust storms. Flooding. The fear of nuclear fallout. While literary critics associate authors of the 1930s and ’40s with leftist political and economic thought, they often ignore concern in the period’s literary and cultural works with major environmental crises. To fill this gap in scholarship, author Matthew M. Lambert argues that depression-era authors contributed to the development of modern environmentalist thought in a variety of ways. Writers of the time provided a better understanding of the devastating effects that humans can have on the environment. They also depicted the ecological and cultural value of nonhuman nature, including animal “predators” and “pests. ” Finally, they laid the groundwork for “environmental justice” by focusing on the social effects of environmental exploitation.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

To show the reach of environmentalist thought during the period, the first three chapters of The Green Depression: American Ecoliterature in the 1930s and 1940s focus on different geographical landscapes, including the wild, rural, and urban. The fourth and final chapter shifts to debates over the social and environmental effects of technology during the period. In identifying modern environmental ideas and concerns in American literary and cultural works of the 1930s and ’40s, The Green Depression highlights the importance of depression-era literature in understanding the development of environmentalist thought over the twentieth century. This book also builds upon a growing body of scholarship in ecocriticism that describes the unique contributions African American and other nonwhite authors have made to the environmental justice movement and to our understanding of the natural world.

"Many of the important authors considered in this study—Nelson Algren, Tillie Olsen, James T. Farrell, and Richard Wright, to name a few—have received insufficient attention from ecocritics, and yet, as Matthew M. Lambert shows in The Green Depression, their work and other writing during the Depression and the World War II eras is profoundly relevant to the roots of contemporary environmentalism that emerged during the latter half of the twentieth century. "

- Scott Slovic, coeditor of Ecocritical Aesthetics: Language, Beauty, and the Environment

Matthew M. Lambert is assistant professor of English at Northwestern Oklahoma State University, where he teaches courses in American literature. His work has appeared in the Journal of the Midwest Modern Language Association and Journal of Popular Film and Television.

Wednesday, February 10, 2021

Book News: New trends in Hemingway studies

 The New Hemingway Studies

EDITED BY SUZANNE DEL GIZZO AND KIRK CURNUTT

Cambridge UP, September 2020

Hardback ISBN: 9781108494847

https://www.cambridge.org/us/academic/subjects/literature/american-literature/new-hemingway-studies?format=HB



The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.


  • Provides an overview of recent scholarly trends in Hemingway studies
  • Re-imagines Hemingway studies in new contexts
  • Demonstrates gaps in current scholarship and adumbrates possible paths for future inquiry

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do NOT constitute an endorsement by the Journal of Modern Literature.

Contributors

Suzanne del Gizzo, Kirk Curnutt, Robert W. Trogdon, Sandra Spanier, Verna Kale, Krista Quesenberry, Laura Godfrey, David Wyatt, Sarah Anderson Wood, Debra A. Moddelmog, Ian Marshall, Loren Glass, Lisa Tyler, Marc K. Dudley, Jeffrey Herlihy-Mera, Kevin R. West


Suzanne del Gizzo, Chestnut College, is editor of The Hemingway Review.  She has published over twenty articles in scholarly journals and has co-edited two books, Ernest Hemingway in Context with Debra A. Moddelmog and Ernest Hemingway's The Garden of Eden:  25 Years of Criticism with Frederic J. Svoboda.

Kirk Curnutt, Troy University, Alabama, is the author of several volumes of literary criticism and fiction, including, most recently, the edited-volume American Literature in Transition: 1970-1980, the pocket biography William Faulkner, and The 100 Greatest Literary Characters, co-authored with James Plath and Gail Sinclair.


Thursday, February 4, 2021

Book News: The "still life spirit" in modernism

 Modernism and Still Life: Artists, Writers, Dancers

BY CLAUDIA TOBIN



Edinburgh UP, 2020

https://edinburghuniversitypress.com/book-modernism-and-still-life.html

ISBN Hardback: 9781474455138

ISBN ePub: 9781474455169

ISBN PDF: 9781474455152

The late nineteenth and early twentieth centuries have been characterized as the ‘age of speed’ but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examining the potential for movement and transformation in the idea of stillness and the ordinary. It ranges widely in its material, taking Cézanne and literary responses to his still life painting as its point of departure. It investigates constellations of writers, visual artists and dancers including D. H. Lawrence, Virginia Woolf, David Jones, Winifred Nicholson, Wallace Stevens, and lesser-known figures including Charles Mauron and Margaret Morris.

BOOK NEWS is an online-only feature announcing new publications in modernist and contemporary literary studies. These announcements do not constitute an endorsement by the Journal of Modern Literature.

  • Explores the ‘still life spirit’ in modern painting, prose, dance, sculpture and poetry
  • Challenges the conventional positioning of still life as a ‘minor’ genre in art history
  • Proposes a radical alternative to narratives of modernism that privilege speed and motion by revealing forms of stillness and still life at the heart of modern literature and visual culture
  • Provides the first study of still life to consider the genre across modern literature, visual cultures and dance
  • Uncovers connections and cultural exchange between networks of European and American artists including the Bloomsbury Group and Wallace Stevens


Modernism and Still Life reminds us that Modernism not only introduced new ways of making art but also new ways of looking at art. Tobin is alert to the paradoxes inherent in the title 'still life' but also to the many ways in which stillness and movement enter into conversation in early modernism. This is a work of deft scholarship and considerable originality of thought. It makes a fresh intervention into a major subject and deepens understanding, offering another landmark in the historiography of Modernism.

– Frances Spalding, Clare Hall, University of Cambridge


Claudia Tobin is a Leverhulme Early Career Fellow in English at the University of Cambridge. She has held fellowships at the Paul Mellon Centre for British Art and the Huntington Library, California. She has published commissioned articles, scholarly book chapters, and exhibition catalogues on interdisciplinary topics including Virginia Woolf and still life, modernism and colour, and on Vanessa Bell's abstract painting as part of Tate's 'In Focus' series. She is General Editor, with Julian Bell, of Ways of Drawing, Thames & Hudson (2019).